By day I'm a video game consultant, and I also volunteer at the German Shepherd Dog Welfare Fund - the charity that rescued the dog I adopted last year. I've also recently started compiling a website covering the history of the village I live, although I'm hoping to draw in some help for that project! Here is scratchpad when I need it, and a place for my personal projects. It's also an archive from back when this was was my writing blog.
Sunday, 4 May 2014
Sunday Story - The Young Kellar by John Mulligan
Sunday's are a great day for reading, whether it be the newspaper, the latest blog, a book or even a short story. The short fiction contest here on my blog is almost a year old and in a moment of synchronicity I've blended those two things to create a new feature called 'Sunday Story'.
Every Sunday I'll post a story for you all to enjoy, these will be picked from one of the winning entries from previous contests for you to discover (or re-discover!). I reserve the right to slip something new in there every now and again :-)
If you're looking for more short stories to read then I've set up a Facebook group just for that purpose, check it out here:
https://www.facebook.com/groups/shortfictionreadersandwriters/
We start with the winner of the very first short fiction contest in June 2013, the month's image was an old poster shown above. The winning story was The Young Kellar by John Muligan, you can visit his website here:
http://www.johnmulligan.net
The Young Kellar by John Mulligan
‘You’ll never amount to anything,’ young mister Kelly; that’s what he said to me, every morning. ‘Squarehead’ we called him, but not to his face of course; he’d clatter any boy that didn’t call him ‘sir’, or ‘Mister Murphy, Sir’.
‘Yes, Mister Murphy, sir’. I would try not to annoy him, so as to avoid the stinging smack of his big hand on the side of my head. He always hit from behind, when you least expected it.
‘What will become of you, Mister Kelly?’
‘I’ll never amount to anything, sir.’
That wasn’t really what I thought, of course. I knew in my heart that I would very much amount to something; I had a plan. I would be a famous magician, ‘the young Kellar’, and I would make millions and be on TV and be famous. I spent all my evenings in the shed, working on my act in front of an old mirror. The homework never really got done, but that didn’t matter; I wouldn’t need to know about algebra and the war of the roses, I’d just have to be able to count the money that would roll in.
It was the last Christmas before I left St Joseph’s, and the concert was the big thing for everybody. Of course he had to have a go at me about that too.
‘So, Mister Kelly, what will you do for the concert? Act the clown, maybe, or play the donkey?’ The class tittered nervously.
‘I’ll do some magic tricks, Mister Murphy, sir.’
‘Magic tricks? Sticking a pencil in one ear and out the other? There’s not a lot in between, is there, Mister Kelly?’
‘No sir.’
‘No, what? Mister Kelly’
‘No, not a lot in between, Mister Murphy, sir.’
So now I’m on the stage in my tuxedo and I have all my equipment set up. I ask the audience for a volunteer, looking straight at Squarehead in the front row.
‘Would you like to be sawed in half, sir? Not afraid, are we?’
Laughter from the audience. He climbs up on the stage, bows to the crowd.
‘Lie in the box, Sir.’ He lies down, awkwardly; I fasten clasps.
‘Two volunteers to haul the saw?’ I flex the shiny crosscut; it makes a twanging noise. Two young guys come up the steps.
‘I’ll just put some special tape on your mouth, to stop the screaming’ I wave the piece of duct-tape; the audience howls with laughter. I stretch it across his face; he looks nervous, all of a sudden. He’s not so cocky now.
I hand the saw to the two young men, slot it into the gap on the top of the box, cue the loud music.
They pale at the spurting red spray, then laugh nervously. ‘Special effects’, I reassure them quietly, and they keep sawing. The blade drips red as it moves over and back; the audience applauds, goes wild.
Old Squarehead hasn’t much to say now, has he? Not a lot; no, sir!
Saturday, 3 May 2014
Two Weeks Left to Enter May's Short Fiction Contest
There's only two week's left to enter May's short fiction contest, this month's image is the moon on a cloudy night. This has been the set up for many a tale and I'm looking forward to reading the stories it inspires, there's already been some excellent entries. To enter the contest you need to write a story of no more than 500 words based on this month's image. You then submit it through the form provided on the competition page, there's no entry fee and you could win a prize of a £50 Amazon gift card. Enter the contest here:
http://thecultofme.blogspot.co.uk/2014/04/may-short-fiction-contest.html
If you haven't read last month's winners then check them out here, there's three excellent stories for you to enjoy:
http://thecultofme.blogspot.co.uk/2014/04/april-short-fiction-contest-winners.html
Readers and writers of short and flash fiction are welcome at the Facebook group dedicated to those forms, come and join us here:
https://www.facebook.com/groups/shortfictionreadersandwriters/
There's more great stories for you to discover there!
Thursday, 1 May 2014
ABC Drabbles of Death - A is for Axe
Welcome to the first drabble in my new series called 'ABC Drabbles of Death', in this series we'll take a wander through the alphabet and I'll write a deathly drabble for each letter. We start at the beginning with 'A is for Axe'.
For drabble fans and of short and flash fiction come and join the Facebook group dedicated to those forms:
https://www.facebook.com/groups/shortfictionreadersandwriters/
A is for Axe
The silver smile, as sharp as the crescent moon invites me to play. The haft rests naturally in my hands, the weight of the blade is eager to strike. The swing forms a pure moment from start to finish as the blade slams deep into the meat. Its balance doesn’t require strength, only the swing.
A scream always accompanies the opening of another smile on the pale flesh. Another arc and another gaping wound. A chorus of screams in synchronicity with the axe.
One last swing and all is silent, the blade no longer silver, but still smiling. In red.
Guest Post - Synergy: How Influence Shifts From Page to Screen and Back Again
Synergy: How influence shifts from page to screen and back again
by Kit Tinsley
The horror genre is one of the oldest forms of story in the world. Tales of the supernatural, and the horrific can be found in the folklore of virtually every civilization that ever existed on this planet we call
home. The arguments as to why this is the case are long and broad. It is enough to say that horror stories, thrill and entertain us like no other genre can. They offer us a chance to face up to our own fears and mortality in a safe way.
In the twenty first century there are two main exponents of horror for us, literature and film ( for the sake of simplicity I will include television in with film). These two mediums are the most common and
popular sources of horror in hour lives.
Trends in the horror genre seem to go around in circles, both in literature and film. Often with a specific sub genre being more popular in one medium than the other.
Yet there seems to be a cross over, so the question is which way does influence travel? Is it the popularity of a genre in books that influences it's popularity in film, or is it the other way round.
In the early days of cinema the pattern of influence was easy to see. Most of the early horror film were based on books. In fact in the twelve years between 1908 and 1920 there were no less than eight adaptations of Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde, three of them released in the same year.
From silent cinema into the golden age of the Universal horror movies, and beyond to the Hammer horror films, the classic horror novels were revisited time and time again.
Then things started to change in the 1960's, cinematic horror got it's own language, and started to build it's own set of rules. Films such as Night of the Living Dead, we're original ideas, that took horror into a far more visceral and visual realm than ever before.
The Italian directors like Argento, Bava, and Fulci pushed these boundaries even further. Zombie movies have become a staple of horror cinema that have never really gone away. Zombie novels were not a particularly rich sub genre prior to the cinematic explosion. Nowadays there seem to be more zombie novels than anything else, it is a very popular genre. This is a clear example of cinema influencing literature.
It is still true that a lot of horror films are based on books, and I think that the classics will continue to be revisited as long as mankind continues to make movies. However I feel that in the world we live now there is a lot more cross pollination of influence. Many readers want to read novels that remind them of their favourite movies, and many authors are as equally influenced by their favourite filmmakers as they are authors.
It really is a wonderful time, one where we need not define ourselves by our chosen medium, instead we are all merely storytellers.
The horror genre is one of the oldest forms of story in the world. Tales of the supernatural, and the horrific can be found in the folklore of virtually every civilization that ever existed on this planet we call
home. The arguments as to why this is the case are long and broad. It is enough to say that horror stories, thrill and entertain us like no other genre can. They offer us a chance to face up to our own fears and mortality in a safe way.
In the twenty first century there are two main exponents of horror for us, literature and film ( for the sake of simplicity I will include television in with film). These two mediums are the most common and
popular sources of horror in hour lives.
Trends in the horror genre seem to go around in circles, both in literature and film. Often with a specific sub genre being more popular in one medium than the other.
Yet there seems to be a cross over, so the question is which way does influence travel? Is it the popularity of a genre in books that influences it's popularity in film, or is it the other way round.
In the early days of cinema the pattern of influence was easy to see. Most of the early horror film were based on books. In fact in the twelve years between 1908 and 1920 there were no less than eight adaptations of Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde, three of them released in the same year.
From silent cinema into the golden age of the Universal horror movies, and beyond to the Hammer horror films, the classic horror novels were revisited time and time again.
Then things started to change in the 1960's, cinematic horror got it's own language, and started to build it's own set of rules. Films such as Night of the Living Dead, we're original ideas, that took horror into a far more visceral and visual realm than ever before.
The Italian directors like Argento, Bava, and Fulci pushed these boundaries even further. Zombie movies have become a staple of horror cinema that have never really gone away. Zombie novels were not a particularly rich sub genre prior to the cinematic explosion. Nowadays there seem to be more zombie novels than anything else, it is a very popular genre. This is a clear example of cinema influencing literature.
It is still true that a lot of horror films are based on books, and I think that the classics will continue to be revisited as long as mankind continues to make movies. However I feel that in the world we live now there is a lot more cross pollination of influence. Many readers want to read novels that remind them of their favourite movies, and many authors are as equally influenced by their favourite filmmakers as they are authors.
It really is a wonderful time, one where we need not define ourselves by our chosen medium, instead we are all merely storytellers.
Visit Kit Tinsley's blog here: http://www.kit-tinsley.com/
Books by Kit Tinsley on Amazon:
Book Impressions - Abra-Cadaver by Matt Drabble
This is a fun horror story, although I enjoyed the concept a bit more than the execution. The story begins with a children's birthday party and a magic trick that goes horrifically wrong. This opening sequence is very well done and starts the momentum rolling. The pace maintains nicely through the first two-thirds of the book with a succession of murders, friends getting reacquainted and the investigation into the killings.
Unfortunately it loses steam as it approaches the conclusion, this is partly due to the story retreading old ground but also because of the constant shifting in perspectives. You just get comfortable with one character and its about to reach something interesting and it shifts. Now this is a useful device for building tension and pace, but it backfires a bit here as its constant.
The other big issue is the end, it's quite predictable and very familiar if you're a fan of slasher movies. There's also a few errors in the text. It's not a bad story by any means, I enjoyed reading it, but the issues did hold it back from being a great read.
From the bestselling author of "Gated" a UK Horror Chart #4 and "Asylum - 13 Tales of Terror" a UK & US Horror/Anthology Chart #1
Tommy, Dixon, McEwen, PJ, and Alison were always a close knit group until Tommy's 12th birthday party. Tragedy strikes when a magic trick goes horribly wrong and a woman lays dead.
A local magician Albert Trotter is railroaded during a rigged trial and locked away. Forever protesting his innocence and after a vicious assault in prison, he is eventually sent to a mental institution in a catatonic state.
Now Tommy is 36 and heading home for the first time in over two decades, but he's not alone. Someone is slaughtering the residents of Denver Mills with magic trick themed murders and holding those involved with the Trotter trial in a steely grip of fear.
Tommy will have to find the strength to bring his old friends together as secrets and lies are exposed throughout the small town of Denver Mills.
Something evil is coming home, and they're bringing a whole new bag of tricks.
Click here to purchase Abra-Cadaver from Amazon (and it's a decent horror read)
Unfortunately it loses steam as it approaches the conclusion, this is partly due to the story retreading old ground but also because of the constant shifting in perspectives. You just get comfortable with one character and its about to reach something interesting and it shifts. Now this is a useful device for building tension and pace, but it backfires a bit here as its constant.
The other big issue is the end, it's quite predictable and very familiar if you're a fan of slasher movies. There's also a few errors in the text. It's not a bad story by any means, I enjoyed reading it, but the issues did hold it back from being a great read.
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| Click on image to purchase from Amazon |
From the bestselling author of "Gated" a UK Horror Chart #4 and "Asylum - 13 Tales of Terror" a UK & US Horror/Anthology Chart #1
Tommy, Dixon, McEwen, PJ, and Alison were always a close knit group until Tommy's 12th birthday party. Tragedy strikes when a magic trick goes horribly wrong and a woman lays dead.
A local magician Albert Trotter is railroaded during a rigged trial and locked away. Forever protesting his innocence and after a vicious assault in prison, he is eventually sent to a mental institution in a catatonic state.
Now Tommy is 36 and heading home for the first time in over two decades, but he's not alone. Someone is slaughtering the residents of Denver Mills with magic trick themed murders and holding those involved with the Trotter trial in a steely grip of fear.
Tommy will have to find the strength to bring his old friends together as secrets and lies are exposed throughout the small town of Denver Mills.
Something evil is coming home, and they're bringing a whole new bag of tricks.
Click here to purchase Abra-Cadaver from Amazon (and it's a decent horror read)
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